... this is what they call a climax

Were human hands designed to type 10,000 words in one night? Mine don't seem to happy about it.

Everything seems quite on track. I have about half of what I had planned for 22 written, and am right at the 10K word mark, which is telling me that I'll be able to wrap this story up without going on and on and on like I feared.

22 is being written old-style again, where everything is done in order and I finish a section before going on to the next one. I need to for this one, because much of what happens in one section is built off what happened in the previous one, and helps me decide some things about the next one after it. The widely divergent activities of the six principals over the previous book are beginning to impact one another.

In other news, I moved one section from chapter 20 into chapter 21, because chronologically it happens a few hours into 21. When I first wrote it I felt like it needed to be on "paper" before wrapping up 20, but now that it's been moved it does feel right as part of 21. It more neatly contains Ghost and Lytha's adventure at Soulforge inside Chapter 21 (which is continued in 22) and also lets 20 end with a little more bang.

... poised, ready to spring

Whew. Chapter 20 is done. Alliances and Betrayals. Book 5 is done. Book 5 is also the longest book, at over 100,000 words. None of the chapters in it are overly long, but it has some very long segues, most over 2000 words.

What can I say? As I already mentioned, the goal of 20 was to get everything poised on the verge of the climax. For every character that means something a little different. For Nightfall, it means facing the consequences of a choice he made. For Jyre, it means her journey coming full circle. For Ghost and Lytha it means facing the aftermath and side effects of their turmoil. For Sheam, it means pushing ahead in site of a worst case scenario. For James, it means realising that one can become hopelessly out of one's league.

As my critics may note, Chapter 20 is extremely rough. When doing revisions, I usually have the luxury of many months of additional experience in order to boost my writing ability and refine a chapter based on a better understanding of what's coming ahead. Well, Book 5 will get the last part, but there isn't going to be much going on to boost my writing ability in the next 90,000 words of Book 6. For the last book, a revision will be even harder, and I will have to rely more and more on the input of my critics.

I have two confirmed yeses for cover artists, and one strong possibility, with a few others who I plan to ask if one of the three artists I have either can't do two covers or can't do even one. I'd like to have fewer artists rather than more, so that the styles won't be too far all over the place (the three I have all possess very, very different styles). I've also started thinking about proofreaders. It would be perfect to have six, and assign each to two books. How could I find six proofreaders who don't mind not being paid, though?

In case anyone is still keeping track, this point in the rewrite very, very loosely lines up with around Chapter 23 in the original.

... making haste

As far as the word count is concerned, chapter 20 is nearly half done. I think this may end up being the longest chapter in the story though (can it be longer than chapter 3?) since I am definitely not half done with the content that 20 needs to have. My goal is to reach a very specific point with 20, to go into Book 6 with all gears turning, with the plot spiraling into the climax. The aim is then to have the major action finished by 22, leaving two chapters for epilogue, for a total of 24 (and the original story had 25 chapters... huh!).

... each in turn

I discovered that an advantage to having most of the rest of the story planned out (rather than just the next chapter) is that I can change my writing method to skip around. Normally I have a section that I need to write because it's what comes next in the plot, and I don't let myself do anything else until I can get it out... which could take months. What I am doing differently now is that I have six documents, one for each principal, and I keep switching between them. I'll write about a thousand to two thousand words in one, or until I reach the end of a section, and then I'll switch to another character, do the same, and won't return to one of them until I have written something for all six. The only limit on this is Lytha and Ghost, who are sticking together at this point, and some scenes I want to write from Ghost's POV and some from Lytha's, and I don't want to write things out of order. The result is that chapters 19 and 20 are being written at the same time, with 19 more than half done now, and 20 a few thousand words in. I hope to be finished with them both, and thus Book 5, by the end of this week. Book 6 will be the end of the story, and may or may not be four chapters, depending on how much space I need to tell all that needs to be told.

The other method that is working well is moving out to the garage-turned-studio to write, totally isolated from the internet and any distractions. As a bonus, that room has a separate air conditioning system from the rest of the house (the whole house has five air conditioners... yay Florida!) which mean I can make it so much cooler than my own room. Thus, I really like being out there. :)

... on theft, and, technique

One thing that constantly bothers me about both the plot to CoSaS and to COT is that for something with Thief in the title, my characters don't do very much actual stealing. I always wonder how to reconcile this, and always come back to the idea of writing about one of the six principals actually trying to steal something not only doesn't work well with the plot, but is seems like it would be lazy writing. It seems like it would be throwing this deeper into fanficcyness and come off as gamey.

As some of you know, I alternate in my writing style between writing "chapters" and writing "the story". When I write "chapters" I have a particular chunk of the big plot I focus on and it is composed in a mini-arc according to a given theme. When I am writing "the story" there is no mini-arc, just events which play out as they must, without me composing them into a neat chapter-like package that will span 20-25 thousand words. As a result, these tend to go on much longer, sometimes to nearly 40 thousand words, because without the clear arc or theme, I don't know when to stop! What usually happens is that after it's all written, I will edit the content into chapters and then come back in a revision and edit it even more into mini-arcs. Those who were reading the blog months ago may remember when I revised some chapters that didn't seem to work by splitting them into two chapters, maybe at the expense of chronological storytelling. I have a feeling that chapters 19 and 20 are going to be like this. After completing the outline for 19, which was going to focus on James, Sheam, and Ghost, I realised that I had far more in it than will probably fit into one chapter, and that if I went that far ahead with each of those characters, then it will have been too long since we've seen Nightfall and Jyre (Lytha is with Ghost so it doesn't hurt her as much). The solution? Work on The Story, not on A Chapter, and edit it into Chapters later.